Srikalahasti Dakshinamurthy Abhishekam Timings History

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Srikalahasti Temple is located in Srikalahasti, which is in the Tirupati district of Andhra Pradesh, India. Kannappa, the founder of one of the most well-known Shiva temples in all of South India, is said to have been on the verge of offering his eyeballs as a sacrifice in order to wash away the blood from the linga when Shiva stopped him and granted him moksha instead.

Although it is considered to be one of the Panchabhoota Sthalams, the Vayu Lingam, also known as the Wind Lingam, may be found at the Srikalahasti temple. The distance between the city of Tirupati and the temple is 36 kilometers. There are other names for this temple, including Dakshina Kailasam and Rahu-Ketu kshetra.

Srikalahasti Dakshinamurthy Abhishekam Timings History

The construction of the inner temple began in the fifth century, but the construction of the outer temple did not begin until the eleventh century. Rajendra Chola I, following Chola monarchs, and the Vijayanagara kings were responsible for the construction of the outer temple. The Hindu society holds Kalahasteeswara, Shiva’s manifestation as Vayu, in the highest regard. At the temple, Saivite principles and practices are upheld. During the most celebrated event, Maha Shivaratri, millions of believers congregate to pray for the favor of the Lord. The Utsava murtis of Shiva and Parvati will be carried on Vahanams in a procession around the temple streets for a total of thirteen days as part of the Mahasivaratri Brahmotsavams. 

The Linga, which is made of white stone and is a representation of Shiva, is fashioned like the trunk of an elephant. Because the altar is situated in the sanctuary, which confronts the west, the temple itself is oriented toward the south. The temple is said to have been carved out of a single rock and is said to be located at the foot of a hill. The rock-cut temple dedicated to Vinayaka is situated 9 feet (2.7 meters) below ground level. The temple is home to a number of one-of-a-kind paintings, including depictions of the deities Vallaba Ganapathi, Mahalakshmi-Ganapathi, and Sahasra Lingeswara.

A sizeable temple that is devoted to Jnanaprasanammba, who is Kalahatisvara’s wife, may be found in India. Inside the temple are tucked away discreet shrines dedicated just to the deities Kasi Viswanatha, Annapurna, Suryanarayana, Sadyoganapathi, and Subramanya. Two of the major places that may host the event are the Sadyogi Mandapa and the Jalkoti Mandapa. The Surya Pushkarani and the Chandra Pushkarani are two different bodies of water that are linked to.

Srikalahasti Dakshinamurthy Abhishekam Timings History

  • The goddess who presides over the temple, known as Gnana Prasunambika Devi, was born into the Vellathurar Gotra of the Senguntha Kaikolar caste.
  • At the wedding of Shiva and Parvati, it is customary for the bride to bring the dowry and present it to the newlyweds as a gift. The white stone Linga, which represents Shiva, is shaped like an elephant’s trunk.
  • The altar is located in the sanctum, which faces west, therefore the temple faces south. The temple is at the base of a hill, and legend has it that it was hewn from a single rock.
  • Vinayaka’s rock-cut temple is 9 feet below the surface. Among the unique pictures housed in the temple are those of Vallaba Ganapathi, Mahalakshmi-Ganapathi, and Sahasra Lingeswara.
  • Jnanaprasanammba, Kalahatisvara’s wife, has a sizable temple dedicated to her. Kasi Viswanatha, Annapurna, Suryanarayana, Sadyoganapathi, and Subramanya each have their own tiny shrines in the temple.
  • Sadyogi Mandapa and Jalkoti Mandapa are two of the larger venues available.
  • The price of a pair of tickets is Rs. 300.
  • Open from 9 a.m. to 12 p.m.
  • Pooja Time: Every Thursday is the only day for it.
  • Any appropriate attire is welcome.
  • Pooja Room: Inside the Temple, Next to the Darshan Kalyana Mandapam.
  • Devotees are free to bring any Pooja accouterments they see necessary. There is no limit to this. This is a good moment to hand out individual servings of milk.

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